That’s Fronkensteen!

Of all the Mel Brooks movies I’ve seen, Young Frankenstein and Blazing Saddles are two of his best, and funniest. Last night our band of film fans saw Young Frankenstein on the big screen, and, for many of us it was the first time since it first came to life 38 years ago.

Yes, 38 years ago. Hard to imagine, but when I realize that several of the actors are no longer alive, and I see in the mirror that, yes indeedy, I’ve changed a little (okay, a lot), then I know it’s true. So, it was an extra special treat to see these actors re-animating such famous characters.

Since we just saw the 1931 Frankenstein and the 1935 Bride of Frankenstein last week, the storylines were quite familiar, and it was wonderful to watch how closely Young Frankenstein (“That’s Fronkensteen”) mirrored both films, blending the best of both into one of the best comedy-horror-musicals I’ve seen.

From Gene Wilder’s static-charged hair (which grew wilder – pun intended -- as the good doctor became increasingly manic) to his superbly over-the-top comic madnesses ("GIVE MY CREATION... LIFE!"), this Young Frankenstein captured the spirit of the originals.  Mr. Wilder seemed to channel all the mad scientists that ever graced the screen.

And, then, look at the firepower of the cast and crew – Mel Brooks at the helm, directing; Mel and Gene Wilder co-wrote the screenplay; Peter Boyle as the Creature (and, what he could do just with a roll of his eyes, comic genius); Cloris Leachman as Frau Blücher, whose mere mention of her name frightened the horses; Gene Hackman as the old blind man in the cabin; and, let’s not forget Marty Feldman as Igor (“That’s Eye-gor.”). The comic timing of everyone, the sets, and that sad-funny music, all blended to make a great tip-o-the-hat to all who went before.

What one thing can I say about Young Frankenstein? Peter Boyle. For everyone else’s terrific performances, Peter Boyle’s brought me the most smiles and laughs, and even a bit of strange sadness as the Creature, creating a great tragi-comic performance.

 

Hopefully, there will never be a remake.  I want to remember this one.  It's perfect as it is.

 

'til next time... Adios.